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Dark corners of the language: clichés

February 1st 2010 05:17
bloggercises pen

We have in the past advised novice writers against using clichés. There no known excuse to use a cliché, we said. There is no imaginable circumstance in the occupied universe, we advised, that can justify using a cliché.


Well, we got that wrong.

John Croucher has just published a book full of clichés, and every one of them is justified.

Croucher is a professor at Australia’s Macquarie Graduate School of Management, and his book is more about the business world than grammar. The book’s dedication is to ``all those suckers who believe everything people tell them''.

However, Bloggercises got attentive on behalf of writers and anyone interested in language when Croucher asserted that clichés often exist today because they are used as a way to disguise meaning. To put it plainly, Croucher says clichés often mean the opposite of what they look like they mean.

Sound crazy? We thought so too. So here are some examples, and after reading them it is apparent that Croucher has cleverly identified something here.

Cliché: Are you making a fashion statement?
Real meaning: You look ridiculous.

Cliché: Our company is containing costs.
Real meaning: Our company is maximising management salaries and bonuses and minimising the wages of everyone else.

Cliché: You deserve better than me.
Real meaning: I want better than you.


Cliché: Our company is seeking a self-starter.
Real meaning: In this role, nobody is going to help you whatsoever.

Cliché: This is a challenging role.
Real meaning: Everyone is going to hate you.

Cliché: This property is a golden opportunity.
Real meaning: This property is a golden opportunity for the agent to make a commission.

Croucher says the reverse cliché phenomenon is a result of a competitive world. They are, he says, “a form of modern punishment”.

``I watch a lot of TV and read a lot of papers and, being in management school, I get a lot of management speak paradigm shifts and synergies: tools for punishing people,'' he said.

``But because this is a dog-eat-dog world, because we need to get that competitive edge, we lie more. A lot of people look good on paper, because people tell us what we want to hear. People lie all the time, and others believe them because they want to.”

In other words, clichés are corporate or self-promoting double-speak, and most of us fall for it.

Caveat emptor.


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English. RIP

March 20th 2009 17:31
vincent van gogh sorrow
Vincent van Gogh, Sorrow (1882)

The language as we know it is doomed. The pressures of change have grown until they are irresistible. Twitter may be the straw which breaks the back of English. Perhaps it is it too late. Language as we knew it.

Who uses full-form written language any more? For many people, the majority of their writing each day is on their phone. Even experts in the latter-day fine art of predictive text use short forms.

The condensed codes of SMS appear, not surprisingly, ever more in emails, the other daily writing exercise for most people. Letters (remember them?) had a culture of elegance and wholeness. Email is communication on the run.

Facebook asks us what we are doing now. Social media has elevated the mundane to a first-tier communication mandate. It goes without saying that it should be short.

And now Twitter has made an art form of it, or at least some of the cleverer Tweeters have done so. Our lives in 140-character snatches. Less is okay; more is forbidden.

The poets will feel at home. The ghosts of the telegram, or telegramme as we spelled it in more expansive days, are laughing.

Hemingway knew how to deliver large pictures in lean text, but surely even he would feel constricted by Facebook's narrow wall and Twitter's imperious imprisonment of free-flowing speech.

Some bloggers are offering resistance, but the how-to manuals warn you to keep posts short. Your readers have become conditioned. Short attention spans rule the blogosphere.

English. RIP.



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