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Grumpy old editor: redundancy

January 25th 2012 23:59
george orwell

If it is possible to cut a word out, always cut it out.
George Orwell’s third rule of good writing

I enjoy cooking and I love good recipe books, especially those which offer some insights into and anecdotes about the craft.


There are plenty of good recipe books without the bonus background material; not every cook is a writer, and worthy recipes don’t require good writing any more than a shopping list does.

When you do get a cook book embellished with wit and erudition, however, the pleasure is enhanced, especially for an amateur cook and professional grumpy old editor like me.

The book I was reading this morning was Kate McGhie’s “Cook”. The front-cover sub-title is “recipes, stories & kitchen wisdom”.

The interest of an editor who enjoys cooking is immediately piqued for two reasons: the promise of recipes accompanied by writing, and the questionable use of an ampersand.

From a recipe and cooking knowledge point of view, the book is superb, although one would expect no less from McGhie, an award-winning food teacher, mentor and writer through her mass-circulation Australian newspaper column.

McGhie's first book delivers on its front-cover promise, ampersand notwithstanding, and the first sentence of the introduction: “Ever since I was a knee-high kid, dragging my chair to the kitchen table in an earnest effort to lick the bowl clean of mum’s cake batter, food has been a source of great happiness and intrigue.”


Ah, someone after my own stomach.

Aside from the questionable use of capital letters for the entire first paragraph (caps are ugly and hard to read; always have been and always will be), this is a charming start and leads the reader hungrily into further servings of good writing. These are delivered with, “Nana taught me to ‘listen’ to ingredients and to use every sense – touch, sight, sound and smell – when cooking”, and, “When I visit a new city, the first thing I do is head off to its cultural centre – the fresh food market” and many more.

Then, suddenly, as part of a recollection of a childhood living on a farm, we come to this: “The recollection of our hens darting around the yard bereft of their heads still haunts me to this day.”

Did you hear the spirit of George Orwell mutter something about tautology? The inclusion of both “still” and “to this day” in that sentence is no less sinful than a spelling mistake. Check your writing, and check it again, and never forget Orwell’s edict: If it is possible to cut a word out, always cut it out.

Now I’m going to try McGhie’s amazing mandarin-scented prawn soup recipe. Just thinking about it banishes grumpiness from the kitchen, where it has no place, to the study, where it can stew while I cook.

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Buzz off

August 26th 2011 22:34
redundancy
If it is possible to cut a word out, always cut it out, said George Orwell in his rules of good writing. Had he been clairvoyant, he might have been referring to the following sentence.

"For 35 years, Canadian Living has been developing creative meal solutions for Canadian families."

Good on them. If only they would stick to recipes, within which the scope for mangling language is limited.

Of course, this atrocity has most likely been committed by someone outside the Canadian Living organisation. It has almost certainly been committed by someone from the International War on Language Alliance, also known as marketing.

Some people should never be allowed near a keyboard.

For anyone in marketing unsure why I have steam pouring from my ears, I appeal to any atom or two of interest in the integrity of language which remains within your buzz word-addled brain.

I do so by asking what is wrong with the following:

"For 35 years, Canadian Living has been developing creative meals for Canadian families."

Buzz words are instant clichés. They are communication tools for the lazy and the unimaginative. Tell that to your marketing lecturer.


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A good word about Marina Diamandis

November 10th 2010 03:22
bloggercises pen

George Orwell’s Third Rule for Effective Writing:

If it is possible to cut a word out, always cut it out.


In an interview published in Australia’s mX newspaper today, British singer and song-writer Marina Diamandis talks about her passion for words.

Those who compose the words to songs work under the same constraints as writers of poetry. This is language at its most spare, and superfluous words – imposters inserted, perhaps, purely to help with metre or rhyme – stand out like a pimple on a nose.

“When I'm writing lyrics,” says the 25-year-old Diamandis, “I don't use any surplus words. I want every single word, if possible, to be great, even if that sounds a bit weird.”

If Diamandis understands Orwell’s Third Rule, she understands that there is nothing weird about it. What’s usually weird is language written or spoken without regard to the rule.

Of course, Diamandis does understand – you don’t have a hit debut album, as she did, if your songs are sloppy with unwanted words. Perhaps, in the generosity of youth, Diamandis is empathising with those who don’t understand the need to get rid of unnecessary words. We can’t all be writers and poets.

“A three-minute song should be like a huge idea filtered down into a very consumable story,'' Marina Diamandis continued. Bravo.

Orwell would approve, as would a fellow-poet, Ezra Pound. He once put it this way: “Great literature is simply language charged with meaning to the utmost possible degree.”



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The inaccurate astrologer

June 23rd 2010 09:46
bloggercises pen
My astrologer’s advice to me the other day was not to over-complicate things.

My advice to my astrologer is not to over-write things


[ Click here to read more ]
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A writer's tool kit: redundancies

September 22nd 2009 23:56
bloggercises pen

Some follow-up thoughts reinforcing yesterday's post on the issue of overused words, which is a subset of the broader subject of redundancies.

[ Click here to read more ]
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Bloggercises: Redundancies 5

February 21st 2009 22:57
bloggercises pen

This is a simple exercise aimed at helping you become a better writer. The exercise is not difficult. It is not a test. The aim is to foster the habit of checking for redundant words or phrases. Text cleared of redundancies shows that you care about your message. The rule holds for poetry, trash talk, descriptive prose, commentary etc.

[ Click here to read more ]
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Bloggercises: Redundancies 4

December 21st 2008 20:37
grammar redundancies language english bloggercises


This is a simple exercise aimed at helping you become a better writer. The exercise is not difficult. It is not a test. The aim is to foster the habit of checking for redundant words or phrases. Text cleared of redundancies shows that you care about your message. The rule holds for poetry, trash talk, descriptive prose, commentary etc


[ Click here to read more ]
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Bloggercises: Redundancies 3

November 15th 2008 02:28
bloggercises pen

This is a simple exercise aimed at helping you become a better writer. The exercise is not difficult. It is not a test. The aim is to foster the habit of checking for redundant words or phrases. Text cleared of redundancies shows that you care about your message. The rule holds for poetry, trash talk, descriptive prose, commentary etc.

[ Click here to read more ]
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Bloggercises: Redundancies 2

October 24th 2008 20:09
bloggercise pen
This is a simple exercise aimed at helping you become a better writer. The exercise is not difficult. It is not a test. The aim is to foster the habit of checking for redundant words or phrases.

Text cleared of redundancies is a sign of an effective writer. It makes your reader feel comfortable


[ Click here to read more ]
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