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The power of a writer

January 31st 2010 02:49
oval office

My novel, which is developing at the pace of a geriatric glacier on Jupiter, nevertheless provides moments of great satisfaction.

The freedom to create is one of the great attractions of writing. Most people escape from the real world through moments of casual dreaming. When there is nothing more pressing to do, they win a million dollars, or attract someone with a million-dollar smile, and the mind's eye then spends some money or some moments in sweet contemplation of consequent pleasures.


Such dreams are usually brief and short on detail. If the dreamer were capable of adding colour and emotion, providing personalities and describing the commodities to be bought or the kisses to be savoured, then that person is a natural story teller and is probably already reaching for a keyboard.

This week, as part of the development of my novel, I visited the White House. I was a little shocked, at first, at my audacity, but I walked right into the Oval Office and told the President what I wanted him to do and what I wanted him to say. Then I told him his name, something he hadn't known until that moment. He didn't argue — he didn't disagree with any of my decisions. He knew I was completely in charge.

It was a good writing day.

The only person more powerful than a writer is another writer with a bigger imagination. There is nothing in the universe a writer can not do. Except make glaciers on Jupiter travel faster.




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bloggercises pen

English is simple, right? Where French and Italian makes things difficult with two forms of the definite article, masculine and feminine, and German makes things even tougher by throwing in neuter, English uses just one word. The. Isn't that easy?

Unfortunately, no. Which, for example, is correct: "She is in hospital" or "She is in the hospital". The answer depends if you are British or American.

Spare a thought for anyone who has had to learn such nuances as a second language. An interesting example is a German learning English. The German sentence, "Da er Gärtner ist, liebt er die Natur" translates to, "Being a gardener, he is fond of nature". Note that the German construction uses no article before the noun Gärtner while English requires an indefinite article, and German requires a definite article before Natur while English requires no article.

Dig a bit further and it becomes apparent that the rules governing English articles are not simple at all.

One of the least understood dark corners of the language is the use of indefinite articles. A versus an. Is it correct, for example, to say a history or an history?

The issue causes considerable debate, and it is possible in an internet search to find persuasive opinion claiming both are correct. The real answer is "a history", but the reason is a little surprising. Most of us know the rule that an is used before a vowel and a is used before a consonant. What is not always clearly understood is that this applies to the way language is spoken, not written.

Take, for example, an East Londoner who speaks with a Cockney accent. This person would never pronounce the h at the start of the word history. They would say "an 'istory". They would also say an 'ospital and an 'orse etc. And they would be grammatically correct in doing so!

For those who do pronounce the h in history, on the other hand, a rather than an is correct.

It is for the same reason that it is right to use an before words that are spelled with an initial consonant but which are pronounced with an initial vowel sound: an honour, an heir etc. And it is for the same reason that it is correct to use a before a word spelled with an initial vowel but pronounced with an initial consonant sound: a ewe, a university etc.

And the deepest, darkest corner of all surrounds the word historical. "A historical period" is technically correct, and it is easy enough to write it like that. But who amongst us thinks to say it that way? Not me.
research: owl.english.purdue.edu, davidappleyard.com, encarta.msn.com


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A writer's tool kit: redundancies

September 22nd 2009 23:56
bloggercises pen

Some follow-up thoughts reinforcing yesterday's post on the issue of overused words, which is a subset of the broader subject of redundancies.

The need to explain is human but is poor writing.

The best way to be boring is to leave nothing out.

It is poor writing to include every detail - it is good writing to know what to leave out.

The human imagination can provide far more detail than writing ever can, so leaving the message largely to the reader's imagination is the way to deliver the most powerful message.

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A writer's tool kit: overused words

September 22nd 2009 00:27
bloggercises pen

Consider the following two paragraphs:

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Write and wrong

September 3rd 2009 04:07
vitreous humour

The aim of the first paragraph of any text, be it a blog post or a doctoral thesis, is to tempt the reader to venture forward to the second paragraph. Etcetera.

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bloggercises pen
Here are some simple rules for new bloggers.

Don't start unless you mean to go on. Blogging is a brave new publishing world but the internet is littered with abandoned blogs. It's a lot of fun until the novelty wears off and then it becomes serious work. Blogs are hungry pets; good blogs are voracious creatures. A blog is a long-term commitment


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the history of writing

A few weeks ago I wrote a post here entitled "Will blogging rule the world?" It evoked a lot of discussion, and I have found myself thinking about the question ever since. This opinion piece is the result, looking at changes that the digital age and, in particular, blogging, may bring to many things that we now take for granted. It is the first of a two-part series, with the second instalment to cover media, publishing and opinion leadership.

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For poets everywhere

March 24th 2009 02:07
Poetry, Sir Lawrence Alma-Tadema (1836-1912)
Poetry, by Sir Lawrence Alma-Tadema (1836-1912)

I taught my daughter to whistle and I taught her how to play chess. I am a modest man, but it does surprise me that I have yet to be awarded a Nobel Parenting Prize. I mean, some of life's most important skills - reading, writing and a grasp of dinkum Aussie vernacular - are easy things to teach in comparison. It took considerably more time to teach Ava how to whistle than to ride a bike. It was easier discussing the concepts of multiplication and division than the fact that pawns move forwards and take diagonally and listen carefully while I tell you about en passant.

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English. RIP

March 20th 2009 17:31
vincent van gogh sorrow
Vincent van Gogh, Sorrow (1882)

The language as we know it is doomed. The pressures of change have grown until they are irresistible. Twitter may be the straw which breaks the back of English. Perhaps it is it too late. Language as we knew it


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World wide words

March 14th 2009 00:42
green people living sculpture

One of the things novice bloggers don't get warned about is the danger of touching people.

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How many words can you write per day?

January 4th 2009 22:56
writing bloggercises words novel length

In a media interview recently, Alexander McCall Smith excitedly told the reporter, "I've written 3,000 words today."

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Out, damn'd cliché 2

December 22nd 2008 11:28
bloggercises pen
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.

Orwell's edict, a fundamental rule of good writing, is about clichés. The word is taken from the French word for stereotype. In English, we use it to denote words, phrases or ideas which have been overused to the point where they lose their force.

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100 words maketh half the language

December 10th 2008 06:25
bloggercise pen

It is a remarkable fact that, while English has more than 400,000 words, more than half of all writing in English consists of just 100 words.

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bloggercise pen

Take an infinitive and split it and listen to the howls. How dare you commit such a crime against the English language, they will cry. It is a common complaint and even those who don't know precisely what a split infinitive is have been heard to sneer.

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